October 25, 2026
Waves runs its Halloween sale: two plugins bought, two free, from $24.99

Waves is running a Halloween promotion that works like this: buy two plugins at the sale price, get two more at no cost, with entry pricing from $24.99. The deal is live now and runs through the end of the month. Which plugins qualify depends on Waves’ rotating catalog, and the company hasn’t published a single fixed list for this run, so the menu you see in your cart is the menu you get.
We look at these sales the way we look at any gear purchase: does it survive a two-hour show? Here’s how we’d spend the four-plugin allowance.
What the offer actually is
Two bought, two free, starting at $24.99. The “from” is doing real work in that sentence. Cheaper plugins anchor the entry price, and the higher-end pieces cost more per slot. A four-plugin basket at the bottom of the catalog is a modest outlay; a basket built around the compressors and channel strips costs more, though the two-free mechanic still applies.
The promo codes and the qualifying-plugin list change between Waves sales, so confirm both at checkout before you commit. The offer covers plugins, not bundles, and not subscriptions.
No card details required to see the price. Build the cart, watch the total, decide.
How we’d choose four
Not by browsing the storefront and grabbing whatever looks exciting. We’d start from what a set actually needs: tidy up problem frequencies, control dynamics without flattening the music, meter what’s going out, and leave something for the odd repair job.
Four plugins is enough to cover a real workflow if you buy deliberately. It’s also enough to buy four reverbs you’ll never open twice. Aim for the first outcome.
One channel strip for consistency
Every show, the same starting point: gain, a broad EQ move or two, a gentle compressor. A channel strip gives you that in a single window, which matters when you’re working through a long playlist and don’t want to rebuild a chain track after track.
Waves’ Scheps Omni Channel is the obvious candidate here, and it’s the kind of tool that pays for itself across a season rather than a session. If your four-slot budget allows one “big” pick, make it this.
One compressor you trust under pressure
Waves has no shortage of compressors, and the differences between them are smaller than the marketing suggests. What matters is that you know one well enough to make a decision in seconds, not minutes.
Pick one and learn its knee. A fast, mostly transparent compressor suits bus work on a long set. A slower, more characterful one is better for individual problem tracks. Either is fine. Two of each is not.
One meter that tells the truth
For anyone preparing material for playback on a station or a fixed-format show, loudness metering is not optional. You need to know where your integrated level sits before the file leaves your hands, not after a listener complains that one track is louder than the rest.
Waves’ loudness tools handle this. Buy the one that reads integrated, short-term, and true peak, and use it on every export. This is the least glamorous purchase in the basket and probably the one you’ll rely on most.
One repair tool for the odd disaster
Somewhere in any long playlist there’s a track with a hum, a click, or a resonance that makes your teeth ache. A targeted repair plugin pays for itself the first time you need it and can’t be bothered to rebuild the fix by hand.
Resonance suppression and broadband repair tools are where paid plugins still clearly beat free ones, and it’s a category worth spending a slot on. One good repair tool covers more ground than three mediocre effects.
Where the free picks come from
Here’s the practical bit. If you buy two plugins at the entry price, the two free slots should go to utilities you’d otherwise pay for separately.
The free-with-purchase picks come out of Waves’ own catalog, so they’ll tend toward the same families as the paid ones. Use them to fill gaps rather than to duplicate. A second compressor is less useful than a de-esser you don’t own yet.
Don’t treat the free slots as an excuse to buy something you don’t need. That’s the trap: four plugins at a discount feels like a bargain until you realize half the bundle was filler.
What we’d skip
The temptation in a sale like this is to load up on creative effects and instruments. For a broadcast or long-set workflow, that’s usually the wrong call.
Reverbs and delays have their place, but a small number of good ones covers most needs, and Waves’ cheaper reverb options overlap heavily with each other. Buying four reverb variants because they’re cheap is not a strategy. Same goes for amp sims and synth emulations: nice to have, rarely the bottleneck in a set that won’t hold together.
The exception is if you’re producing original music for the show, not just preparing other people’s tracks. In that case, one instrument slot is worth it. Otherwise, skip.
On the pricing math
Two bought, two free at $24.99 entry works out to a very low per-plugin cost. That’s the pitch, and it’s a real one for anyone who was going to buy these tools anyway.
The math only holds if the tools actually get used. Four plugins purchased at a discount and left in the folder are worth nothing. Four plugins that cover your level discipline, dynamics, metering, and repair for a whole season are worth considerably more than the sticker.
We’ve watched colleagues buy sale bundles and then reinstall their old chain a week later. That’s not a knock on the plugins. It’s a knock on buying without a workflow in mind.
Should you buy?
If you already know which two plugins you want and need two more to round out a chain, this is a fair moment to buy. The discount is real, the catalog is deep, and the free slots are genuinely free rather than “free with strings.”
If you’re browsing to find a reason to buy, wait. The next sale is never far off, and the plugins will still be there. The ones that matter for a two-hour set are the boring ones: the channel strip, the compressor, the meter, the repair tool. Buy those, use the two free slots on things you’ll actually open, and move on.
The sale runs to the end of October. That’s long enough to think about it properly rather than panic-buying on the last evening.